Finally! The Bagel is Masculine

In my book Ach ich fühl’s—German for Opera Singers which was published in 2014 I wondered what article should be given to a bagel. The bagel had been introduced to German café menues by American expats (or better: their desire to eat it) a few years earlier and the Duden, the standard dictionary for German orthography, had not cought up with the trend. Now it has been decided: The bagel is masculine—der Bagel.

As it turns out, der Bagel has not just appeared in Europe. Is has returned. The word Bagel stems from the Jiddish baygel or bejgel and was originated in Jewish communities in Poland. It was mentioned for the first time in Krakow in 1610.

As a rule of thumb, we find the article for a foreign word by translating it and by applying the gender accordingly. Electronic mail means elektronische Post which is feminine—die E-Mail (For some reason the Duden allows also der and das). Car-Sharing is an English word that ends with -ing. These English nouns adapted into German are always neuter.

das Car-Sharing, das Shopping

Some words resist a translation and so, they get their gender as mysteriously as many German nouns: der Chip, der Blues, or—the latest entry into the Duden—der Haferdrink (das Hafer = oat).

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berndhendricks

Bernd Hendricks. Born in Duisburg, Germany. Based in Berlin. Writer, German Language Educator. I was six years old when I went to the opera for the first time. My Grandma took me to Hänsel und Gretel at the Deutsche Oper am Rhein in Duisburg. The first time I met an opera singer personally was during my time as foreign correspondent in New York when at a Christmas party a baritone pelted me with questions about the language of Zauberflöte. He was preparing for his role as Papageno. After my return to Berlin in September 2010, I have been giving German lessons to singers on their audition tours. My workshops in Berlin, Vienna, and London are based on my widely read book Ach, ich fühl’s—German for Opera Singers in Three Acts: Studying, Speaking, Singing. My latest book, Die Frist ist um—Navigate the Language of 10 German Operas, takes you on a journey through the language of the most popular and often performed operas in the German-speaking countries. I am also the author of several non-fiction books and two novels.

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