Have a Thick Skin and Track Your Finances

Interview part 2: Stephen Svanholm’s online service gives singers advice and tools for self-management.

There is no artistic boundary Stephen John Svanholm has not crossed. He began his musical career as a guitarist in a heavy metal band just to step one day onto an opera stage to sing Figaro. Recently, the Stockholm-based Lyric Baritone founded The Opera Stage, a website designed to “enable singers without agents to learn how to manage their own career paths”, as stated in its press release. In part two of the series about his work, he talks about today’s challenges for singers and the tools to meet them.

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AIF: What is the main challenge for singers in promoting themselves?

Stephen Svanholm: In the past, a lot more singers took the tightly prescribed traditional path from college to agent to opera house. Today, far more singers manage their own careers. The opera business is far more open and in a field with many unrepresented artists, one must both formulate an individual career strategy and be willing to put in the time to actualise that strategy. In an oversaturated market, the challenge lies in knowing which avenues to invest in, develop and employ.

AIF: What quality does an opera singer need in an environment as international as the opera world?

Stephen Svanholm: Flexibility is hugely important – both artistic and practical. Most artists, especially in the beginning of their careers, will have to juggle an array of musical and non-musical jobs. Once hired, they will also have to exhibit artistic flexibility, and will often be asked to sing roles outside their Fach now, especially in early Fest contracts. Also, developing a thick skin while remaining open as an artist is essential. Rejections are inevitable for all artists. I think it’s essential to be able to absorb any constructive feedback and criticism from these experiences, and move on with positivity.

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AIF: What kind of help does a singer get when he or she signs up at The Opera Stage?

Stephen Svanholm: If an artist registers on The Opera Stage, they become a Basic Member free of charge. A Basic Member can create an Artist Profile, adding audio, video, photos, reviews, and stage experience. All Artist Profiles appear in our public Opera Industry Directory. Basic Members can use an array of other career tools: Our YAP Calendar is the only calendar available online which lists Young Artists Programs by their deadline, along with links to the program’s home page. In addition, artists get access to our Opportunities Board. We believe strongly that singers should not have to pay for information about any openings or work which are non-paying or pay-to-sing, as well as for info about competitions, courses and masterclasses.

AIF: How does a singer benefit by upgrading to the premium service?

Stephen Svanholm: With our very reasonably priced monthly subscription the artist becomes a Premium Member and can get access to our Paid Jobs Board, which features a large selection of paid work worldwide, daily. We also send a daily Jobs Bulletin with new jobs which each artist can filter according to their needs. Premium Members can also take part in Agency Panel Auditions which we are holding in London and Berlin in February (more cities to come) for a subsidised price. There they will be able to sing for a panel of at least five agents.

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AIF: So, does a singer still need an agent?

Stephen Svanholm: We have members with agents as well as without. I think a lot of singers can fill their diaries nowadays without an agent. There are a lot of openings out there, and it just requires some initiative on the part of the artist and willingness to really take the chances presented to them. 

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Of course, having an agent still has great benefits.The singer can have someone else handle the admin side of their career and also the highest level mainstage soloist jobs will continue (at least for a while yet) to go through agencies rather than subscription services. However, to find the right representation for them, artists need to be in the shop window and sing as many roles with the smaller and medium-sized companies as possible.

Find more information at theoperastage.com

 

 

 

 

A Baritone’s Love for Sauerkraut and Chiaroscuro

In his career, Lyric Baritone Stephen John Svanholm has criss-crossed the continent and music genres alike. In part one of his portrait, a questionnaire explains the artist; in part two, the artist will explain his latest undertaking, the website The Opera Stage.

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Your name:
Stephen Svanholm

From where?
Born in Durham, England, brought up in County Durham (England), Stockholm (Sweden) and Newport, Pembrokeshire (Wales)

Where based?
Stockholm

Your Fach?
Lyric Baritone

When have you been in Berlin?
I lived in Berlin from March 2014 to September 2017. (minus a few work periods in the UK)

Two things you like about Berlin:
The creativity, which is to be seen everywhere from street art, crafts, use of space, and music. And also the liberal attitudes to just about any lifestyle imaginable.

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Two things you don’t like about Berlin:
Dog poop on the pavements. Other stuff on the pavements.

Your favourite role:
Figaro in Il Barbiere di Siviglia

Your hero in opera:
Franco Corello for the visceral impact of his singing

Your hero in real life:
Elon Musk

Your favorite quality in a singer:
Chiaroscuro

Best opera production you saw in Germany:
Die Zauberflöte at Komische Oper Berlin

Craziest opera production you saw in Germany:
Rheingold at Staatsoper Berlin

Your biggest career change:
From heavy metal guitarist to opera singer

Your newest project:
The Opera Stage’s expansion with a new website.

Your favourite German word:
Sauerkraut (which is also my favourite German thing)

Read next week: AIF’s interview with Stephen Svanholm about his website The Opera Stage that helps singers to manage their career.